Building the Inner Persona: pilot slang

Hello there and ‘May the Fourth be with you’! It’s been a while since we’ve had one of these ‘in-universe vocab’ entries, but in the course of my recent work on a pilot impression, I was reminded of this excellent set of terms, as found in The Essential Guide to Warfare, (p. 141):

3-9 line: A line across a fighter’s wings, based on an imaginary clock in which 12 is ahead of a fighter and 6 is behind. The goal of dogfighting is to keep bandits in front of one’s 3-9 line.

ACM: Aerial combat maneuvering, better known as dogfighting.

Bandit: A hostile fighter or starship.

Big L: Lightspeed.

Bingo: Having enough fuel for a safe return.

Bluelined: Disabled by an ion cannon blast.

Galactic Style Guide – Capes and Cloaks I

Welcome back to another installment of the Galactic Style Guide, the series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re examining examples of capes and cloaks. (Robes—like those worn by the Jedi or Emperor Palpatine—have sleeves and will be covered in a future post!) Traditionally, a Cape will be shorter in length and made of more fashionable materials compared to the longer, more utilitarian Cloak, but I use them fairly interchangeably here.

Star Wars’ costume designs have always been a unique mixture of Spaghetti Western, 20th century militaria, Eastern/’exotic’, and medieval styles, and the use of capes/cloaks are largely responsible for the latter. With many cosplayers eager to add a little ‘swish’ to their outfits, I hope these posts will be of some use: because when inspiration is needed, it is best to go right to the source instead of to what others have done!

Let’s dive right in with the only guy (IMHO) who can compete with Han Solo in terms of style!

Biggs Darklighter shows up to his desert hometown rocking a solid black knee-length wool cape with a short standing collar (and no visible fasteners, naturally!). It doesn’t appear to be lined, so that great drape is due to it being a really solid weight of fabric. If it is lined, it’s in a pretty similar color or material (note also that this is a rare example of a ‘good guy’ character wearing a ‘bad guy’ color).
However, with the Anchorhead scenes on the cutting room floor, we have few major characters wearing these kinds of garments in the rest of the film.
The only one who really comes to mind is the Mos Eisley spy Garindan who wears a most interesting hooded cloak:

Unlike the rest of our examples, old Long-snoot’s hooded cloak is a one-piece, and I’d love to see what the overall shape of it is! Visually, we can deduce that he’s an antagonist (because the cloak is black!), and as we will come to expect, it’s made of wool in a nice weight, is a solid color, and unadorned.
Aside from Garindan, It’s not until we make it to Cloud City in the next installment that we find another cape in the foreground:

Galactic Style Guide – Ammo belts and Pouches III

Welcome back to another installment of the Galactic Style Guide, the series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re concluding our examination of the various styles of belt gear and pouches seen onscreen by looking at Original and Prequel examples together – let’s get started! In the first two entries, we focused on military-surplus (or milsurp style) gear, so this time we’re looking at the few non-milsurp examples.

Our two male heroes have belt gear which seems military but (as far as I know) isn’t – if you can’t swing actual milsurp, you can’t go wrong with real, unadorned leather in one color, and minimal hardware (snaps and brass studs, at most):

One of the ‘Pruneface’ commandos in Episode VI has an intriguing cylindrical belt pouch, which I believe was also borrowed for Wilford Brimley’s character a few years later:

What do we think it is? Optic case of some sort? Milsurp or not?

One of the places where we see a decidedly different style in action is among the ‘scum and villany’ at Jabba’s palace. Let’s break it down:

Galactic Style Guide – Ammo belts and Pouches II

Welcome back to another installment of the Galactic Style Guide, the bimonthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In our second entry looking at the various styles of belt pouches and bandoliers seen onscreen, we’re focusing on military surplus (and milsurp-style) examples as seen in the Prequel Trilogy.
Let’s begin (again!) on Tatooine!

Throughout Episode I, we see young Anakin Skywalker wearing one half of an Italian Army ammo pouch for the Carcano rifle (plus another mystery pouch):

Several of the background characters in Mos Espa have belt gear with ‘Lift The Dot’ fasteners; these appear to be a dual-magazine pouch very similar to this WW1-era pouch for the Colt 1911. As I discussed previously, I feel that these kinds of pouches are acceptable for outfitting far-background characters like these, but I feel they toe the line of ‘visible fasteners’. However, they’re usually very sturdily made to stand up to the rigors of authentic use, so if you are reenacting or doing living history with an audience inside the 10-foot line, it’s probably worthwhile to take the extra effort to cover them behind some canvas or webbing.

Jedwar Seelah, Chokk, and the unnamed Nikto podrace mechanics.

Galactic Style Guide – Ammo belts and Pouches I

Welcome back to another installment of the Galactic Style Guide, the bimonthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re taking a deep dive into a specific category of gear that plays a major role in creating the GFFA’s uniquely grounded, quasi-militaristic aesthetic – belt pouches! As a great number of Star Wars character designs utilize longer robes or tunics instead of more western/modern shirts and trousers (and thus are are sans pockets), it seems that even the most pedestrian costume designs are routinely festooned with a wide variety of semi-rigid containers for carrying small items!
Due to the great number of onscreen examples, I waffled back and forth for how best to organize and present them all. Eventually, I decided to break them down by real-world source (milsurp vs. non-milsurp) and era (Classic Trilogy vs. Prequels) within these categories. As usual, we’ll close with some important takeaways for those of you who may want to incorporate a pouch or two in your own kit to add some in-universe style points! Let’s begin (as we so often do) on Tatooine!

The first folks we see onscreen wearing military surplus are the Jawas, who set the trend for what follows. Much like the majority of base firearms used for blaster building, the Jawas’ belt gear is comprised of European ammunition pouches and bandoleers drawn from a period of roughly 1890 to 1945 CE.

Jawas and Tuskens are both seen using British pattern 1903 bandoleers

K98 Mauser triple pouch

Farmboy Luke continues our trend of leather Euro milsurp pieces, sporting an interesting trio of belt pouches:

Galactic Style Guide – Zippers

Welcome to another installment of our ‘Galactic Style Guide counterpoint’ subseries, where we help you strengthen your ‘Star Wars eye’ by highlighting and remedying common faux pas that can make your kit look Not Star Warsy. As part of the GSG, the ultimate goal is still to help you create a more accurate ‘outer persona’ – but we approach the goal from the opposite direction!
This month, we’re taking a look at one of the specific elements which George Lucas decided would have no place in his Star Wars aesthetic – zippers! (For our look at the other form of visible fastener Lucas specifically didn’t want to see, see this previous entry).

If I were to ask you when you first learned that Lucas didn’t want to see zippers and buttons onscreen, there’s a very good chance it was sometime after 2014 and the release of Brandon Alinger’s excellent SW Costumes – The Original Trilogy. However, the no-visible-fastener rule had already been in print for at least seven years: discussed in Rinzler’s The Making of Star Wars (2007), on page 125. What accounts for the delay before this fundamental GFFA costuming rule became truly widely known is, I think, social media; Facebook was still in its relative infancy in 2007. Since then however, the top-down Lucas directive has become frequently-cited in costuming circles, and yet cosplayers and Batuu-bounders still try to excuse visible zippers in their costumes; typically, this involves pointing to a screenshot of Luke Skywalker zipping up his flightsuit in Episode V:

Remember, per our sources, Lucas said he didn’t want to see such fasteners, not that they didn’t exist at all (many seem to have trouble with this distinction). Why Luke’s zipper (and presumably, those of all the other onscreen pilots and technicians) is perfectly permissible is simple: once worn, it isn’t visible – it’s hidden by a flap! (If you can think of a way to convey a pilot suiting up for battle by donning a one-piece flightsuit without showing them zipping it up, I am all ears!) However, there are a fair number of other characters whose costumes do include uncovered zippers: luckily for us, these tend to fall into one of two categories; unluckily for us, things seem to have taken a step backwards in the modern era…

Galactic Style Guide – Backpacks II

Welcome back to another installment of the Galactic Style Guide, the bimonthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re returning to our examination of in-universe backpacks, this time focusing on some less rigid examples, encompassing not just backpacks but also things like satchels and bedrolls.
As we said last month, this kind of unassuming and field-functional gear is woefully underrepresented among the GFFA costuming community (who tend to go for eye-catching and…less-than-functional). This is too bad, because a good pack can really elevate an impression and make it feel like a living, breathing kit and not just a costume: it shows the viewer “I am a real individual with needs beyond what I carry on my belt or in my pockets.”
Let’s dive in and get some ideas!

The softpack that gets the most screentime in the Lucas films is probably the one Luke totes Yoda around in during his Jedi training. As far as I know, nobody has yet identified it as a milsurp piece (though the buckles might be?) so it may have been made in-house for Episode V. If anyone has any details on it, please share them below in the comments!

Galactic Style Guide – Backpacks I

Welcome back to another installment of the Galactic Style Guide, the bimonthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! This topic has been requested by several folks, so it’s been a long time coming. In this entry, we’re taking a look at an oft-overlooked category of gear, which can really elevate an impression and make it feel like a living, breathing kit. We’re talking about backpacks! Due to the sample size, I’ve decided to break this into two parts – one for ‘hard’ backpacks, and one (next month!) for softer packs.

Let’s go chronologically and kick things off with this paired bedroll-backpack from the old, Old Republic (Tales of the Jedi: Redemption #3). As usual, the cover art is far more evocative than the actual panels, but I include it here as the pack itself seems to be fairly structured:

The inclusion of a big ol’ wooly blanket/bedroll is not only appropriate given the hostile climate of Rhen Var, but also a very attainable piece of functional kit!

I’m sure there have to be other pre-Prequel-era examples, but I haven’t found them! If you know of any, please let me know below! Next, let’s move on to some liveaction hard packs.

Galactic Style Guide – Text

Welcome to another installment of our ‘Galactic Style Guide counterpoint’ subseries, where we help you strengthen your ‘Star Wars eye’ by highlighting and remedying common faux pas that can make your kit look Not Star Warsy. As part of the GSG, the ultimate goal is still to help you create a more accurate ‘outer persona’ – but we approach the goal from the opposite direction!
This month, we’re taking a look at a design phenomenon that’s big on the Disney side of things (whether it be in films made under them, things sold by them, or costumes worn by fans while visiting them) but which was only ever a minimal part of the ‘Star Wars aesthetic’: text on stuff!

The fact that we went six films with zero non-technical Aurebesh (and the first two, most seminal films had NONE at all) should tell you everything you need to know: when it comes to Aurebesh on kit items, it’s always superfluous.
With that in mind, I want to look at some examples to illustrate why you’re better off omitting Aurebesh entirely. Out of respect for the SW costuming/maker community, I’m focusing on publicly-available items sold by Disney, but the point is still applicable: even when executed correctly it’s still largely* unnecessary, and—if used at all—should act as a garnish, not a side dish – let alone the main course! If your impression is relying on Aurebesh to make sense, something’s not working and it might be time to go back to the drawing board.

*As we saw before, pretty much the only folks we saw wearing Aurebesh pre-Disney are prisoners and biker-gang types. Occasionally we see small identifiers like ‘crew’ or ‘staff’, but these simply serve to demonstrate the wearer’s membership in a group as separate from the public.
For a refresher on examples of places where we do commonly see in-universe lettering, check out this GSG entry.

Let’s start off with a couple items featuring completely redundant Aurebesh additions. Did you ever notice that all the top brass at the Death Star’s conference room had matching drinkware?

Here’s the version sold at Galaxy’s Edge:

From one side, it just looks like a slick space-fascist travel mug. From the other side though, it looks like the Empire thinks its officers need to be constantly reminded of who they work for.

Galactic Style Guide – Ponchos II

Welcome back to another installment of the Galactic Style Guide, the bimonthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re continuing our look at ponchos, focusing on examples from the prequel era! (As a reminder: for our purposes, we’re defining a poncho as a garment worn as an outer layer for protection from the elements, which covers the front of the body).
Let’s keep things rolling with the poncho I think I would most want to curl up in:

Qui-Gon wears this poncho when venturing into Mos Espa in Episode I—the script specifying that he is “dressed as a moisture farmer”. Trisha Biggar notes that the coarse-weave is a silk/linen mix and that the border is “printed”—though I’m not sure what exactly that means (Dressing A Galaxy, p20).

Take a good look at that beautiful nubby texture!